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CONSTANTINOPLE Cistern of Bin-Bir-Derek - ca 1840 Original Print Engraving

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Martin2001 Antique Prints

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Only one in stock, order soon
Edition Type
Limited Edition
Subject
Topographical
Date of Creation
1800-1899
Style
Vintage
Original/Reproduction
Original Print
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Dealer or Reseller
Edition Size
unknown
Size Type/Largest Dimension
Small (Up to 14in.)
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Unsigned
Condition
Used

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!!! NOTE !!! if the image(s) in the description shows a broken image icon(s), right click on the icon(s) and open in new tab to see the larger image(s). The Cistern of Bin-Bir-Derek Called the Thousand One Pillar Another Quality Print from Martin2001 Type of print: Steel engraving - Original antique print Year of printing: 1840 Artist - Engraver - Publisher: Thomas Allom - Challis - Fisher, Son Co, London Paris Condition: Excellent - Very good - Good - Fair. Size of print in inches: 8 x 10 1/2 (image size: 5 x 7). 1 inch = 2,54 cm. Type of paper: Thick - Heavier - Medium heavy - Slightly heavier - Thin Reverse side: Blank - With text or pictures Notes: --- From the original description: " . . . by means of this aqueduct, the waters were deposited in various cisterns; some open, and some covered, so that the whole city was excavated into exposed or subterranean reservoirs. One great inconvenience attended those that were exposed . . . Of the covered cisterns, but two remain. One is called Yere Batan Serai or the " Subterranean palace," and is still filled with water. It resembles a vast subterranean lake, out of which issue rows of 336 marble pillars, of various orders of architecture, supporting an arched roof. The memory of this magnificent watering-palace was altogether lost; the streets passed over it, and the houses above were supplied from it with water, while the inhabitants knew not whence it came. After it had remained unknown to the Turks since the capture of Constantinople, it was discovered by Gilius more than three hundred years ago. The second cistern is no longer employed as a reservoir for water. It lies beneath an open area in the vicinity of the Atmeidan, and is converted into a silk manufactory by a number of industrious Jews and Armenians. The Turks have named this subterranean palace Bin-bir-derek, in allusion to its supposed original number of columns, 1001, although 212 are all that can now be distinguished. Each column is said to consist of three shafts with their respective capitals, but the lowest is, at present, buried beneath the material of the flooring. The whole enclosed area occupies 20,000 square feet, and is capable of containing 1,237,000 cubic feet of water, a quantity sufficient to supply the population of Constantinople for fifteen days. The pillars of this cistern are distinguished by monograms deeply cut on the shafts and capitals,. like hieroglyphics on an Egyptian obelisk, and so obscure as equally to puzzle the learned. One of them consists of the Greek initials for Euge philoxene, "Hail, thou strangers' friend." This cistern, under the Greek empire, was decreed to be public for the use of all strangers, and was therefore called philoxenos. --------------------------------------------------------------------------------------- ------------------------------------------------------------------------- Martin2001 Satisfaction Guaranteed Policy ! Any print purchased from us may be returned for any reason for a full refund including all postage. Powered by Turbo Lister The free listing tool. List your items fast and easy and manage your active items.

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More than a week ago
Item number

351556943

Product reviews for "Martin2001 Print"

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S l1600 thumbtall

TURKEY Trebizond on Black Sea - 1887 Wood Engraving

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This old engraving has substantiated and stimulated a recent interest of mine; this physical thing now hangs in front of my reading chair, and I have found the digital copy of the charming old book from which it was cut (VOYAGES AND TRAVELS OR SCENES IN MANY LANDS VOLUME
de Colange, Leo (Ed.)).
Published by E.W. Walker, Boston, MA (1887))
I recommend enjoying some of the 19th century paintings under "Trabzon in art" in commons.wikipedia., which is where I first discovered this one. In some of these it is the artists viewpoint of serious (not ) peacefulness that I especially enjoy, and now this is substantiated, in front of my reading chair.

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