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CONSTANTINOPLE State Prison Seven Towers - ALLOM 1840s Original Engraving Print

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Martin2001 Antique Prints

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Qty available
Only one in stock, order soon
Edition Type
Limited Edition
Subject
Landscape
Date of Creation
1800-1899
Style
Vintage
Original/Reproduction
Original Print
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Dealer or Reseller
Edition Size
unknown
Size Type/Largest Dimension
Small (Up to 14in.)
Signed
Unsigned
Condition
Used

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!!! NOTE !!! if the image(s) in the description shows a broken image icon(s), right click on the icon(s) and open in new tab to see the larger image(s). State Prison of the Seven Towers Another Fine Quality Print from Martin2001 Print Specifics: Type of print: Steel engraving - Original antique print Year of printing: not indicated in the print - est. 1839-1841 Original artist: Thomas Allom Publisher: Peter Jackson, London Paris Condition: 1-2 (1. Excellent - 2. Very good - 3. Good - 4. Fair). Light signs of handling. Dimensions: 8 x 10.5 inches, including blank margins (borders) around the image. Image dimensions: 5 x 7.5 inches. 1 inch = 2,54 cm. Paper weight: 2 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin) Reverse side: Blank Narrative: At the extremity of the land-wall of Constantinople, where it meets the sea of Marmora, rises an enclosure flanked by battlemented towers. It is the first object seen by Frank ships, and thus the stranger is presented with a prospect that reminds him of the most striking and singular usage of Turkish despotism. This enclosure, and the towers, existed under the Greek empire, and were called "Heptapurgon," from the number of the castles included. They were first erected by Zeno, and enclosed by the Comneni, and were employed as a prison for state offenders. When the Turks took possession of the city, the Sultan appropriated them as a secure place to deposit his plunder. They afterwards reconverted them to their original purpose of a state prison, and added a feature peculiarly their own. The character of an ambassador, held sacred by all other nations, was here violated. The first symptoms of a rupture between the Turks and a foreign state, was, to seize the resident minister, and incarcerate him in this prison; and the European states, instead of revolting against this barbarous outrage on the laws of nations, quietly submitted to it, as they did to the oppression of the Barbary pirates, because each rejoiced, and felt itself elated, at the degradation of the other. Mr. Beaufeu, a French minister, confined there, made his escape; and the Sultan was so enraged, that he immediately caused the governor to be strangled in his own prison. Since then, the Turks are not disposed to admit strangers, lest they might discover the secrets of their prison-house. This barbarous custom continued so late as the year 1784, when the Russian envoy was sent there, as the first act of hostility. The lights and usages of civilized Europe began immediately after to dawn on the East. The just and amiable Selim discontinued the practice, and the present Sultan has abolished it altogether. Martin2001 Satisfaction Guaranteed Policy! Any print purchased from me may be returned for any (or no) reason for a full refund including all postage. seller since 1998. Five-star service. Powered by Turbo Lister The free listing tool. List your items fast and easy and manage your active items.

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Items after first shipped each discounted 90.0%
Posted for sale
More than a week ago
Item number

351557200

Product reviews for "Martin2001 Print"

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S l1600 thumbtall

TURKEY Trebizond on Black Sea - 1887 Wood Engraving

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This old engraving has substantiated and stimulated a recent interest of mine; this physical thing now hangs in front of my reading chair, and I have found the digital copy of the charming old book from which it was cut (VOYAGES AND TRAVELS OR SCENES IN MANY LANDS VOLUME
de Colange, Leo (Ed.)).
Published by E.W. Walker, Boston, MA (1887))
I recommend enjoying some of the 19th century paintings under "Trabzon in art" in commons.wikipedia., which is where I first discovered this one. In some of these it is the artists viewpoint of serious (not ) peacefulness that I especially enjoy, and now this is substantiated, in front of my reading chair.

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