Shopping for Collectibles? You’ve come to the right place.

With nearly 3 million items in our catalog, Bonanza is your destination for Art & Collectibles. Discover rare, unique, and vintage goods you won’t find anywhere else.

Rendered at 00:49:27 08/20/17
S l1600
Does this picture look different than its small version did? Bonanza's "Background Burner" allows sellers to delete the background of a picture so it's easier for your eye to parse in search results. What you see here is the original picture.

CONSTANTINOPLE Turkish Apartment in the Fahar - BARTLETT Engraving Print

Priced at
Add to cart
Top-Rated Seller

Martin2001 Antique Prints

Ask seller a question
100% Positive
Shipping options
Payment options
Return policy
Catalogued as
Purchase protection offered

Item details

Qty available
Only one in stock, order soon
Edition Type
Limited Edition
Date of Creation
Original Print
Listed By
Dealer or Reseller
Size Type/Largest Dimension
Small (Up to 14in.)

More about this item

!!! NOTE !!! if the image in the description shows a broken image icon, right click on the icon then select “copy the image location” and then paste it into your browser’s address box to see the image OR send me a message to get more images if they do not all show. A Turkish Apartment in the Fahar Constantinople, Turkey Another Fine Quality Print from Martin2001 Print Specifics: Type of print: Steel engraving - Original antique print Year of printing: 1839 Original artist: W.H. Bartlett Engraver: Challis Publisher: London, Geo. Virtue, 26 Ivy Lane Condition: 1 (1. Excellent - 2. Very good - 3. Good - 4. Fair) Overall uniform very light age toning of paper. Dimensions: 8 x 10.5 inches, including blank margins (borders) around the image. Paper weight: 2 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin) Reverse side: Blank Notes: Green color around the print in the photo is a contrasting background on which the print was photographed. 1 inch = 2,54 cm. An excerpt from the description that accompanied the print: Nothing can exceed the beautiful cleanliness of a Turkish harem, save its order: not a grain of dust, nor a footmark, sullies the surface of the Indian matting that covers the large halls whence the several apartments branch off in every direction; while the furniture'of the rooms themselves is always'fresh, and scrupulously arranged. The ceilings are elaborately ornamented; and in the houses of the rich, where the apartments are of great size, a curtain of tapestry is frequently used as a mean of reducing their extent. The windows are always closely set together, and very numerous; and where the room chances to be situated in an angle of the building,' the three unconnected sides have very much the appearance of a lantern. The interior chosen by the artist as the subject of his sketch is a fair specimen of the higher order of domestic architecture, and belongs to a house once inhabited by one of the Greek princes, which will account for the ample hearth,—an accessory never found in an apartment originally designed by a Turk; in every other respect it is precisely the description of room common to every handsome harem. At the lower end of each apartment are large closets for the reception' of the bedding (for none are appropriated exclusively as sleeping chambers), and the slaves of the household no sooner ascertain that the visitor has risen, than half a dozen of them commence removing every vestige of the couch, and depositing' within the closet the mattrasses of embroidered satin, the sheet of gauze, or worked muslin, the half dozen pillows of brocaded silk, and the wadded coverlets, rich with silver fringe, and gay with party-coloured needle work, which have also because it is an useless and cruel misrepresentation of facts, of which common justice demands the refutation. There is always a painful and a revolting association connected with the idea of slavery, and an insurmountable disgust excited by the spectacle of money given in exchange for human beings; but, beyond this, (and assuredly this is enough!) there is nothing either to distress or to disgust in the slave-market of Constantinople. No wanton cruelty, no idle insult is permitted: the slaves, in many instances, select their own purchaser from among the bidders; and they know that when once received into a Turkish family, they become members of it in every sense of the word, and are almost universally sure to rise in the world if they conduct themselves worthily. The Circassians and Georgians are generally brought there by their parents at their own request; preferring a youth of ease, and a future of probable luxury, to labour in the fields, and the life of household drudgery, which must be their lot if they continued in their own mountain-homes. These voluntary slaves occupy the closed apartments, and are only seen by such individuals as are likely to purchase them ; care being taken to protect them against gratuitous annoyance, and the gaze of the idlers who throng the court. The utmost order, decency, and quiet prevail; and a military guard is stationed at the entrance to enforce them, should the necessity for interference occur, which is, however, very rarely the case. Martin2001 Satisfaction Guaranteed Policy! Any print purchased from me may be returned for any (or no) reason for a full refund including all postage. seller since 1998. Five-star service. Powered by Turbo Lister The free listing tool. List your items fast and easy and manage your active items.

Listing details

Seller policies
Shipping discount
Items after first shipped each discounted 90.0%
Posted for sale
More than a week ago
Item number


Product reviews for "Martin2001 Print"

Not showing 3 reviews left without comment.

S l1600 thumbtall

TURKEY Trebizond on Black Sea - 1887 Wood Engraving

Full star smallFull star smallFull star smallFull star smallFull star small

This old engraving has substantiated and stimulated a recent interest of mine; this physical thing now hangs in front of my reading chair, and I have found the digital copy of the charming old book from which it was cut (VOYAGES AND TRAVELS OR SCENES IN MANY LANDS VOLUME
de Colange, Leo (Ed.)).
Published by E.W. Walker, Boston, MA (1887))
I recommend enjoying some of the 19th century paintings under "Trabzon in art" in commons.wikipedia., which is where I first discovered this one. In some of these it is the artists viewpoint of serious (not ) peacefulness that I especially enjoy, and now this is substantiated, in front of my reading chair.

Purchased Martin2001 Print on Bonanza

Minimum 6 characters; at least one number and one capital letter

By creating an account, you agree to our Terms of Use and Privacy Policy.

New to Bonanza? Sign up to save items, follow sellers and get exclusive coupons.

Don't worry - Bonanza respects your inbox. We send less email and make it easy to opt out. Read our privacy policy »